Post by Dark Avenger on Sept 12, 2023 18:18:34 GMT -5
www.euronews.com/culture/2023/09/11/the-truth-is-still-out-there-celebrating-the-x-files-30th-anniversary
www.radiotimes.com/tv/sci-fi/x-files-30-years-pilot-comment/
WATCH THE VERY FIRST DAVID AND GILLIAN INTERVIEW FOR THE X FILES FROM AUGUST 1993
To celebrate the iconic show's 30th anniversary, here are the 12 must-see standalone episodes.
The X-Files celebrates its 30th anniversary this month, so what better time to look back at one of the most defining TV shows of the 1990s?
For those of you who haven’t yet had the pleasure, the Chris Carter-created series followed FBI Special Agents Fox Mulder (David Duchovny) and Dana Scully (Gillian Anderson) as they investigated a wide range of unexplained supernatural cases. Mulder was the conspiracy theory-obsessed believer, while Scully was sceptical scientist, originally assigned to her partner to debunk his work.
The show ran for nine seasons from 1993 to 2002 and returned for two additional seasons starting in 2016.
Over the course of 11 seasons, 218 episodes and two feature films, the TV drama left a lasting legacy and redefined televised storytelling. It was unique at the time, equally genre-pushing, suspenseful and funny. A spiritual successor to The Twilight Zone and Kolchak: The Night Stalker, it took chances and interweaved standalone episodes (referred to as “monster of the week” episodes) with a rich overarching mythos regarding aliens and a shadowy governmental conspiracy. It also featured a central female character that was her male counterpart’s equal (a characteristic which was rare at the time), and became the precursor for shows like Buffy the Vampire Slayer, Supernatural, Lost and Fringe.
While we recommend starting the show from scratch and working your way through the global conspiracy about the Syndicate’s plans to collaborate with alien colonists, here are the 12 best standalone episodes of the series – one for each year it was on air.
So, none of the Duane Barry saga; no ‘Anasazi’ / ‘The Blessing Way’ / ‘Paper Clip’ triple bill (arguably the show’s greatest episodes); and no mention of the ambitious ‘Two Fathers’ / ‘One Son’ diptych or any of Season 8, which essentially plays out like an extended serial focused on the hunt for Mulder.
These are the “monster of the week” episodes that don’t require homework and can be watched without prior introduction to the over-arching alien mythology.
A starting point to get closer to the truth, if you will...
12) Mulder and Scully Meet the Were-Monster
Season 10, Episode 3
What’s it about? Mulder is questioning his beliefs in the supernatural. Luckily, his funk is broken by a new case involving a corpse found in the woods near Oregon. The victim’s wounds don’t seem like they’ve been caused by anything human...
What’s so good about it? The X Files were reopened in 2016, with a 6-episode run that wasn’t the show’s finest. The second revival season was less disappointing, but you’ll be hard pressed to find anyone who thinks that the magic of the original run was recaptured. However, there was one highlight midway through Season 10, a “monster of the week” episode that was a welcome balm after Chris Carter’s clumsy handling of the rebooted mythology. Written by Darin Morgan (expect to see this name pop up several times during this list), ‘Mulder and Scully Meet the Were-Monster' is a tongue-in-cheek delight that subverts expectations, features plenty of laughs (due to Rhys Darby, a lizard who was turned into a human after a human bit him), and the surreal is perfectly balanced with some cheeky Easter Eggs for longtime fans. It's pretty much the only Season 10 episode you need to watch.
11) Arcadia
Season 6, Episode 15
What’s it about? A couple are brutally murdered in the seemingly perfect planned community of Falls of Arcadia. Sent to investigate, Mulder and Scully go undercover as a married couple and move into the deceased’s former lodgings. There, they discover that the gated community operates under a very strict set of rules. And there are fatal consequences for those who disobey them.
What’s so good about it? This darkly comedic (but not particularly biting) satire of tight-knit communities and homeowner associations makes for a great "monster of the week" episode. The monster in question, a Tulpa thought-form summoned much in the same way the Golem is conjured into existence by a community, could have used more work. However, 'Arcadia' is a fan favourite because it offered up a glimpse of what married life might look like between our two favourite two FBI agents. David Duchovny has a blast as “Rob Petrie” and Gillian Anderson nails every comedic moment as his wife “Laura”, who is less thrilled about the assignment. As evidenced by her cute nickname for her husband: “poopieface”.
10) The Lost Art of the Forehead Sweat
Season 11, Episode 4
What’s it about? Mulder meets a man named Reggie, who claims to know him. He tells Mulder that someone is trying to erase him from society...
What’s so good about it? Season 11 was an improvement on 10, but still struggled. Episode 7, ‘Rm9sbG93ZXJz’, was a playful admonition about artificial intelligence and did a great job in conveying the dangers linked to our eliance on technology. However, the season standout was the brilliantly titled ‘The Lost Art of Forehead Sweat’, which explored the phenomenon known as the Mandela Effect (or is it the Mengele Effect?). It’s an absurdist and loving adventure all about the collective acceptance of lies. Written and directed by Darin Morgan (told you so), the episode updates the show’s brand of skepticism and makes it about the concept of truth. It is one of the show’s most overtly politically engaged episodes, as it satirizes the Trump climate and anxieties. Brian Huskey is superb as Reggie, and the episode is a fun but thought-provoking exploration of how accepting facts, despite healthy skepticism, is vital - especially in a country like the US, which has repeatedly tried to rewrite reality to mask its darker past.
9) Hungry
Season 7, Episode 3
What’s it about? A young man working in a fast-food joint has more than burgers on the mind. He needs brains to survive. Not that he’s happy about his condition. His attempts to ween himself off cerebrum are made all the more complicated by the arrival of Mulder and Scully...
What’s so good about it? Season 7 was the beginning of the end for The X Files. The previous season had done an admirable job of blowing up the conspiracy and actually offered some answers – as evidenced by the bold double-tap of 'Two Fathers' / 'One Son'. Season 7 dipped in the aftermath, and was initially going to be the show’s last – with David Duchovny leaving after the finale. Still, there were a couple of good episodes, including 'Hungry'. The narrative shifts perspectives, as we follow a monster story from the POV of the ‘monster’. By playing with the “monster of the week" template, the genre is turned on its head and the episode explores how antagonists are only considered as much from a certain perspective. A brain-eating creature investigated by Mulder and Scully is a pretty standard set-up, but 'Hungry' remains memorable because it encourages discussion and empathy. None of it could have worked without Canadian actor Chad Donella, who plays the hungry Rob; through his excellent work, the viewer is tasked with considering the monster figure and reconsidering their own prejudices.
8) Die Hand Die Verletzt
Season 2, Episode 14
What’s it about? A group of faculty members meet to discuss the school agenda and how the musical Jesus Christ Superstar could be a problematic show to put on. So far, so conservative America. However, the meeting ends with the teachers reciting not a prayer but a Satanic chant. The tight knit community will be thrown into disarray when the substitute teacher from hell (literally?) arrives in school…
What’s so good about it? Remember that school teacher that traumatized you to you core? Good. Now multiply that by a thousand and you’re there with Ms. Paddock, the aforementioned substitute teacher – played to eerie perfection by Susan Blommaert, who manages to make affability very sinister. Essentially the perfect Halloween episode, 'Die Hand Die Verletzt' (“the hand that wounds”) is a very creepy story that stands out by its atmosphere and the effective use of urban myths and occult imagery linked to black magic. It plays on the Satanic Panic of the 1980s and, later on, delves into how unfaithful servants must be punished – a beat that is turned into a sick little joke at the end with a blackboard message that reveals who was playing who (and for what purpose) all along. If this one is to your liking, fast forward to Season 11 and the episode 'Familiar', which also harks back to occultism in smalltown communities.
7) Drive
Season 6, Episode 2
What’s it about? A driver and his ‘hostage’ have been stopped after a high-speed chase. The driver is detained and the woman in the car is clearly disorientated. He calls out to her - his wife as it turns out - in desperation. She is put in a police car and the whole endeavor seems to be over… Until she begins to bash her head against the window of the car, as if suffering from the worst headache mankind has ever known. Suddenly, a violent burst and confusion ensues. Her skull has exploded, repainting the car in a lovely shade of brain. And that’s just the pre-title sequence…
What’s so good about it? Much like the mythology episodes, 'Drive' is about sinister government experiments. It shows Mulder out in the field while Scully investigates in the lab, a dynamic repeated (sometimes a bit too much) throughout the show. Without spoiling anything, the leitmotif of this episode is: keep moving or die. It’s a shocking and well-orchestrated tribute to Speed that showcases a terrific performance from both Duchovny and Anderson, as well as Bryan Cranston, who steals the show as a bigot plagued by his own very bad headache. It is worth noting that Vince Gilligan (Drive’s writer, a regular scribe on The X Files, and the man who went on to create Breaking Bad) met Cranston during this episode. So, no 'Drive', no Walter cooking meth…
6) Pusher
Season 3, Episode 17
What’s it about? Mulder and Scully face off against Robert Patrick Modell, aka: Pusher, a man who has the ability to will others into doing anything he wants simply through the power of suggestion. He can ‘push’ people into committing crimes, killing themselves or even letting him walk once they’ve caught him...
**What’s so good about it?**This is another episode penned by Vince Gilligan, who creates a thrilling game of cat-and-mouse that is suspenseful from beginning to end. It shares some DNA with David Fincher’s Se7en, and Robert Wisden is terrific as Modell - one of the series most underrated villains. Like Eugene Victor Tooms (scroll down for more), the character is given a second episode in season 5 with 'Kitsunegari', another very enjoyable mystery. However, 'Pusher' remains the superior of the two episodes and has some very memorable scenes, including that terrifying one in which a crying FBI agent begs for help before lighting himself on fire. Extra points for those of you who can spot ex-Nirvana drummer and Foo Fighter Dave Grohl’s cameo.
5) Home
Season 4, Episode 2
What’s it about? Murder, mutilations, deformed siblings, incest… It’s Mulder and Scully versus the Peacock family for the show’s most controversial episode.
What’s so good about it? Following the stellar Season 3, the showrunners decided to up the ante in Season 4, with some genuinely scary and gory stuff. (See: the haunting 'Unruhe' and the less impressive but gag-inducing 'Sanguinarium'.) 'Home' is the only X Files episode which was preceded by a warning and the only one to have been banned… Indeed, Fox blocked it from being re-aired for three years after its premiere, as the story of an isolated inbred clan who “raise and breed their own stock” was deemed to much for the studio to handle. It’s suspenseful, disgusting, and even darkly humoristic at times. Playing on some deep-seated fears, writers Glen Morgan and James Wong and the late director Kim Manners crafted a genuinely terrifying hour of television that was inspired in part by an anecdote in the biography of Charlie Chaplin (of all things) and played out as The X Files meets The Texas Chainsaw Massacre. Good luck.
4) Squeeze / Tooms
Season 1, Episodes 3 & 21
What’s it about? Mulder and Scully track an apparently ageless killer who can squeeze himself into tiny vents and narrow conduits in order to get to his victims… And as a good spiritual student of Hannibal Lecter, he takes trophies, feeding off livers to survive… No mention of whether he enjoys them with fava beans and a nice Chianti.
What’s so good about it? For Robert 'Pusher' Modell, only one episode of his two-parters is included in this list. Rules are bent for Eugene Victor Tooms, who gets a two-episode story arc in Season 1. 'Squeeze' was the show’s first "monster of the week" episode and it set the benchmark high. The unnerving killer was played to perfection by Doug Hutchison, who returned in 'Tooms'; both episodes (written by Glen Morgan and James Wong) showcased the series’ strength of balancing real scare power with more outlandish sci-fi and suspense a go-go. This two-parter gave a generation of fans the chills when they saw small ventilator openings… And probably made them think twice before ordering liver for dinner.
3) Jose Chung’s From Outer Space
Season 3, Episode 20
What’s it about? Novelist Jose Chung interviews Scully for research on an upcoming book he plans to write, about the abduction of two teenagers. Behold the distance between fact and fiction, what one is told and what one wants to hear…
What’s so good about it? 'Jose Chung’s From Outer Space' is a reminder that The X Files didn’t always take itself so seriously and managed to poke fun at the sci-fi / thriller genre, as well as its own alien gimmicks. This episode, brilliantly written by Darin Morgan once more, is a goofy spin on Rashomon storytelling. More accurately, the unreliable narrator trope leading to conflicting testimonies – much like Season 5’s excellent ‘Bad Blood’, which nearly made the cut for this list. 'Jose Chung's From Outer Space' centers around the impeccably cast Charles Nelson Reilly, who played Chung in a fantastically droll manner. Filled with copious homages to sci-fi and a healthy dose of old school slapstick, the episode asks if there is such a thing as objective truth. It also benefits from an oddly moving closing monologue about how “we are all alone” in the universe, but we don’t have to be. It’s less about aliens at the end of the day, and more about the ache for a human connection.
2) The Erlenmeyer Flask
Season 1, Episode 24
What’s it about? A high-speed police chase ends with the driver being shot. He manages to escape but leaves behind some blood. Green blood. As you do.
What’s so good about it? We’re cheating a little bit with this one, as the final episode of Season 1 starts off as a "monster of the week" investigation and ends up being the first bona fide mythology episode. It sets up the groundwork for everything to come and was audience’s first peak into the conspiracy: experiments with alien DNA, shadowy conspiracies... The lot. The episode is filled with memorable images that would come to define the overarching mythology (the watertanks filled with tubed bodies stand out), and by placing Mulder and Scully’s informer Deep Throat (Jerry Hardin) at the centre of the finale, the stage is brilliantly set for Seasons 2 and 3 – arguably The X Files’ best years.
1) Clyde Bruckman’s Final Repose
Season 3, Episode 4
What’s it about? World-weary insurance salesman Clyde Bruckman has psychic abilities. He can foresee when and how everyone will die, and he’s sick of it. Simultaneously, a serial killer is targeting psychics and fortune tellers. Bruckman is, naturally, of particular interest to the murderer…
What’s so good about it? It won’t surprise you that Darin Morgan - who is responsible for four episodes on this list - is behind the best standalone X Files episode. It is chilling, cheekily funny and thought-provoking in its meditations on the curse of knowledge. The late Peter Boyle gives his best performance as the crotchety Bruckman, who sees how life fits together and, as such, holds no more mystery. He won an Emmy for his efforts (as did Morgan), and the interactions between him and Gillian Anderson are a joy to watch. The episode strikes the perfect balance between humour and pathos, exemplified by one joke between Bruckman and Scully, which becomes one of the series’ most tear-jerking moments by the end of this genuinely stunning episode.
All the seasons of The X Files are available to buy on DVD / BluRay, and are streaming on Disney+.
The X-Files celebrates its 30th anniversary this month, so what better time to look back at one of the most defining TV shows of the 1990s?
For those of you who haven’t yet had the pleasure, the Chris Carter-created series followed FBI Special Agents Fox Mulder (David Duchovny) and Dana Scully (Gillian Anderson) as they investigated a wide range of unexplained supernatural cases. Mulder was the conspiracy theory-obsessed believer, while Scully was sceptical scientist, originally assigned to her partner to debunk his work.
The show ran for nine seasons from 1993 to 2002 and returned for two additional seasons starting in 2016.
Over the course of 11 seasons, 218 episodes and two feature films, the TV drama left a lasting legacy and redefined televised storytelling. It was unique at the time, equally genre-pushing, suspenseful and funny. A spiritual successor to The Twilight Zone and Kolchak: The Night Stalker, it took chances and interweaved standalone episodes (referred to as “monster of the week” episodes) with a rich overarching mythos regarding aliens and a shadowy governmental conspiracy. It also featured a central female character that was her male counterpart’s equal (a characteristic which was rare at the time), and became the precursor for shows like Buffy the Vampire Slayer, Supernatural, Lost and Fringe.
While we recommend starting the show from scratch and working your way through the global conspiracy about the Syndicate’s plans to collaborate with alien colonists, here are the 12 best standalone episodes of the series – one for each year it was on air.
So, none of the Duane Barry saga; no ‘Anasazi’ / ‘The Blessing Way’ / ‘Paper Clip’ triple bill (arguably the show’s greatest episodes); and no mention of the ambitious ‘Two Fathers’ / ‘One Son’ diptych or any of Season 8, which essentially plays out like an extended serial focused on the hunt for Mulder.
These are the “monster of the week” episodes that don’t require homework and can be watched without prior introduction to the over-arching alien mythology.
A starting point to get closer to the truth, if you will...
12) Mulder and Scully Meet the Were-Monster
Season 10, Episode 3
What’s it about? Mulder is questioning his beliefs in the supernatural. Luckily, his funk is broken by a new case involving a corpse found in the woods near Oregon. The victim’s wounds don’t seem like they’ve been caused by anything human...
What’s so good about it? The X Files were reopened in 2016, with a 6-episode run that wasn’t the show’s finest. The second revival season was less disappointing, but you’ll be hard pressed to find anyone who thinks that the magic of the original run was recaptured. However, there was one highlight midway through Season 10, a “monster of the week” episode that was a welcome balm after Chris Carter’s clumsy handling of the rebooted mythology. Written by Darin Morgan (expect to see this name pop up several times during this list), ‘Mulder and Scully Meet the Were-Monster' is a tongue-in-cheek delight that subverts expectations, features plenty of laughs (due to Rhys Darby, a lizard who was turned into a human after a human bit him), and the surreal is perfectly balanced with some cheeky Easter Eggs for longtime fans. It's pretty much the only Season 10 episode you need to watch.
11) Arcadia
Season 6, Episode 15
What’s it about? A couple are brutally murdered in the seemingly perfect planned community of Falls of Arcadia. Sent to investigate, Mulder and Scully go undercover as a married couple and move into the deceased’s former lodgings. There, they discover that the gated community operates under a very strict set of rules. And there are fatal consequences for those who disobey them.
What’s so good about it? This darkly comedic (but not particularly biting) satire of tight-knit communities and homeowner associations makes for a great "monster of the week" episode. The monster in question, a Tulpa thought-form summoned much in the same way the Golem is conjured into existence by a community, could have used more work. However, 'Arcadia' is a fan favourite because it offered up a glimpse of what married life might look like between our two favourite two FBI agents. David Duchovny has a blast as “Rob Petrie” and Gillian Anderson nails every comedic moment as his wife “Laura”, who is less thrilled about the assignment. As evidenced by her cute nickname for her husband: “poopieface”.
10) The Lost Art of the Forehead Sweat
Season 11, Episode 4
What’s it about? Mulder meets a man named Reggie, who claims to know him. He tells Mulder that someone is trying to erase him from society...
What’s so good about it? Season 11 was an improvement on 10, but still struggled. Episode 7, ‘Rm9sbG93ZXJz’, was a playful admonition about artificial intelligence and did a great job in conveying the dangers linked to our eliance on technology. However, the season standout was the brilliantly titled ‘The Lost Art of Forehead Sweat’, which explored the phenomenon known as the Mandela Effect (or is it the Mengele Effect?). It’s an absurdist and loving adventure all about the collective acceptance of lies. Written and directed by Darin Morgan (told you so), the episode updates the show’s brand of skepticism and makes it about the concept of truth. It is one of the show’s most overtly politically engaged episodes, as it satirizes the Trump climate and anxieties. Brian Huskey is superb as Reggie, and the episode is a fun but thought-provoking exploration of how accepting facts, despite healthy skepticism, is vital - especially in a country like the US, which has repeatedly tried to rewrite reality to mask its darker past.
9) Hungry
Season 7, Episode 3
What’s it about? A young man working in a fast-food joint has more than burgers on the mind. He needs brains to survive. Not that he’s happy about his condition. His attempts to ween himself off cerebrum are made all the more complicated by the arrival of Mulder and Scully...
What’s so good about it? Season 7 was the beginning of the end for The X Files. The previous season had done an admirable job of blowing up the conspiracy and actually offered some answers – as evidenced by the bold double-tap of 'Two Fathers' / 'One Son'. Season 7 dipped in the aftermath, and was initially going to be the show’s last – with David Duchovny leaving after the finale. Still, there were a couple of good episodes, including 'Hungry'. The narrative shifts perspectives, as we follow a monster story from the POV of the ‘monster’. By playing with the “monster of the week" template, the genre is turned on its head and the episode explores how antagonists are only considered as much from a certain perspective. A brain-eating creature investigated by Mulder and Scully is a pretty standard set-up, but 'Hungry' remains memorable because it encourages discussion and empathy. None of it could have worked without Canadian actor Chad Donella, who plays the hungry Rob; through his excellent work, the viewer is tasked with considering the monster figure and reconsidering their own prejudices.
8) Die Hand Die Verletzt
Season 2, Episode 14
What’s it about? A group of faculty members meet to discuss the school agenda and how the musical Jesus Christ Superstar could be a problematic show to put on. So far, so conservative America. However, the meeting ends with the teachers reciting not a prayer but a Satanic chant. The tight knit community will be thrown into disarray when the substitute teacher from hell (literally?) arrives in school…
What’s so good about it? Remember that school teacher that traumatized you to you core? Good. Now multiply that by a thousand and you’re there with Ms. Paddock, the aforementioned substitute teacher – played to eerie perfection by Susan Blommaert, who manages to make affability very sinister. Essentially the perfect Halloween episode, 'Die Hand Die Verletzt' (“the hand that wounds”) is a very creepy story that stands out by its atmosphere and the effective use of urban myths and occult imagery linked to black magic. It plays on the Satanic Panic of the 1980s and, later on, delves into how unfaithful servants must be punished – a beat that is turned into a sick little joke at the end with a blackboard message that reveals who was playing who (and for what purpose) all along. If this one is to your liking, fast forward to Season 11 and the episode 'Familiar', which also harks back to occultism in smalltown communities.
7) Drive
Season 6, Episode 2
What’s it about? A driver and his ‘hostage’ have been stopped after a high-speed chase. The driver is detained and the woman in the car is clearly disorientated. He calls out to her - his wife as it turns out - in desperation. She is put in a police car and the whole endeavor seems to be over… Until she begins to bash her head against the window of the car, as if suffering from the worst headache mankind has ever known. Suddenly, a violent burst and confusion ensues. Her skull has exploded, repainting the car in a lovely shade of brain. And that’s just the pre-title sequence…
What’s so good about it? Much like the mythology episodes, 'Drive' is about sinister government experiments. It shows Mulder out in the field while Scully investigates in the lab, a dynamic repeated (sometimes a bit too much) throughout the show. Without spoiling anything, the leitmotif of this episode is: keep moving or die. It’s a shocking and well-orchestrated tribute to Speed that showcases a terrific performance from both Duchovny and Anderson, as well as Bryan Cranston, who steals the show as a bigot plagued by his own very bad headache. It is worth noting that Vince Gilligan (Drive’s writer, a regular scribe on The X Files, and the man who went on to create Breaking Bad) met Cranston during this episode. So, no 'Drive', no Walter cooking meth…
6) Pusher
Season 3, Episode 17
What’s it about? Mulder and Scully face off against Robert Patrick Modell, aka: Pusher, a man who has the ability to will others into doing anything he wants simply through the power of suggestion. He can ‘push’ people into committing crimes, killing themselves or even letting him walk once they’ve caught him...
**What’s so good about it?**This is another episode penned by Vince Gilligan, who creates a thrilling game of cat-and-mouse that is suspenseful from beginning to end. It shares some DNA with David Fincher’s Se7en, and Robert Wisden is terrific as Modell - one of the series most underrated villains. Like Eugene Victor Tooms (scroll down for more), the character is given a second episode in season 5 with 'Kitsunegari', another very enjoyable mystery. However, 'Pusher' remains the superior of the two episodes and has some very memorable scenes, including that terrifying one in which a crying FBI agent begs for help before lighting himself on fire. Extra points for those of you who can spot ex-Nirvana drummer and Foo Fighter Dave Grohl’s cameo.
5) Home
Season 4, Episode 2
What’s it about? Murder, mutilations, deformed siblings, incest… It’s Mulder and Scully versus the Peacock family for the show’s most controversial episode.
What’s so good about it? Following the stellar Season 3, the showrunners decided to up the ante in Season 4, with some genuinely scary and gory stuff. (See: the haunting 'Unruhe' and the less impressive but gag-inducing 'Sanguinarium'.) 'Home' is the only X Files episode which was preceded by a warning and the only one to have been banned… Indeed, Fox blocked it from being re-aired for three years after its premiere, as the story of an isolated inbred clan who “raise and breed their own stock” was deemed to much for the studio to handle. It’s suspenseful, disgusting, and even darkly humoristic at times. Playing on some deep-seated fears, writers Glen Morgan and James Wong and the late director Kim Manners crafted a genuinely terrifying hour of television that was inspired in part by an anecdote in the biography of Charlie Chaplin (of all things) and played out as The X Files meets The Texas Chainsaw Massacre. Good luck.
4) Squeeze / Tooms
Season 1, Episodes 3 & 21
What’s it about? Mulder and Scully track an apparently ageless killer who can squeeze himself into tiny vents and narrow conduits in order to get to his victims… And as a good spiritual student of Hannibal Lecter, he takes trophies, feeding off livers to survive… No mention of whether he enjoys them with fava beans and a nice Chianti.
What’s so good about it? For Robert 'Pusher' Modell, only one episode of his two-parters is included in this list. Rules are bent for Eugene Victor Tooms, who gets a two-episode story arc in Season 1. 'Squeeze' was the show’s first "monster of the week" episode and it set the benchmark high. The unnerving killer was played to perfection by Doug Hutchison, who returned in 'Tooms'; both episodes (written by Glen Morgan and James Wong) showcased the series’ strength of balancing real scare power with more outlandish sci-fi and suspense a go-go. This two-parter gave a generation of fans the chills when they saw small ventilator openings… And probably made them think twice before ordering liver for dinner.
3) Jose Chung’s From Outer Space
Season 3, Episode 20
What’s it about? Novelist Jose Chung interviews Scully for research on an upcoming book he plans to write, about the abduction of two teenagers. Behold the distance between fact and fiction, what one is told and what one wants to hear…
What’s so good about it? 'Jose Chung’s From Outer Space' is a reminder that The X Files didn’t always take itself so seriously and managed to poke fun at the sci-fi / thriller genre, as well as its own alien gimmicks. This episode, brilliantly written by Darin Morgan once more, is a goofy spin on Rashomon storytelling. More accurately, the unreliable narrator trope leading to conflicting testimonies – much like Season 5’s excellent ‘Bad Blood’, which nearly made the cut for this list. 'Jose Chung's From Outer Space' centers around the impeccably cast Charles Nelson Reilly, who played Chung in a fantastically droll manner. Filled with copious homages to sci-fi and a healthy dose of old school slapstick, the episode asks if there is such a thing as objective truth. It also benefits from an oddly moving closing monologue about how “we are all alone” in the universe, but we don’t have to be. It’s less about aliens at the end of the day, and more about the ache for a human connection.
2) The Erlenmeyer Flask
Season 1, Episode 24
What’s it about? A high-speed police chase ends with the driver being shot. He manages to escape but leaves behind some blood. Green blood. As you do.
What’s so good about it? We’re cheating a little bit with this one, as the final episode of Season 1 starts off as a "monster of the week" investigation and ends up being the first bona fide mythology episode. It sets up the groundwork for everything to come and was audience’s first peak into the conspiracy: experiments with alien DNA, shadowy conspiracies... The lot. The episode is filled with memorable images that would come to define the overarching mythology (the watertanks filled with tubed bodies stand out), and by placing Mulder and Scully’s informer Deep Throat (Jerry Hardin) at the centre of the finale, the stage is brilliantly set for Seasons 2 and 3 – arguably The X Files’ best years.
1) Clyde Bruckman’s Final Repose
Season 3, Episode 4
What’s it about? World-weary insurance salesman Clyde Bruckman has psychic abilities. He can foresee when and how everyone will die, and he’s sick of it. Simultaneously, a serial killer is targeting psychics and fortune tellers. Bruckman is, naturally, of particular interest to the murderer…
What’s so good about it? It won’t surprise you that Darin Morgan - who is responsible for four episodes on this list - is behind the best standalone X Files episode. It is chilling, cheekily funny and thought-provoking in its meditations on the curse of knowledge. The late Peter Boyle gives his best performance as the crotchety Bruckman, who sees how life fits together and, as such, holds no more mystery. He won an Emmy for his efforts (as did Morgan), and the interactions between him and Gillian Anderson are a joy to watch. The episode strikes the perfect balance between humour and pathos, exemplified by one joke between Bruckman and Scully, which becomes one of the series’ most tear-jerking moments by the end of this genuinely stunning episode.
All the seasons of The X Files are available to buy on DVD / BluRay, and are streaming on Disney+.
www.radiotimes.com/tv/sci-fi/x-files-30-years-pilot-comment/
The X-Files pilot remains the greatest in TV history – even 30 years on
30 years on, the opening episode of the sci-fi cult classic remains television’s greatest ever pilot.
With all of that said, it’s hard to describe the pilot episode of The X-Files, titled Pilot (duh!), as anything other than a resounding success - and if we’re being honest, the best pilot in television history.
While this may seem like a grandiose claim, upon closer inspection it becomes hard to argue with.
For the uninitiated who need a refresher on the events of The X-Files pilot episode, it goes as follows: Dana Scully (Gillian Anderson) is assigned to work on the X-Files with Fox Mulder (David Duchovny), with the hope that her scientific background will debunk his work.
Their first case takes them to the forests of Oregon where they investigate a series of deaths in a community, which Mulder suspects are centred around extra-terrestrial interference.
If we start with the overall premise itself, the pilot episode of The X-Files provides the skeleton for the following 11 seasons and 217 episodes. There’s a pervasive sense of mystery, suspense and, dare I say, horror, from the very first scene of a teenage girl running through the woods of Oregon before a bright light from the sky engulfs her.
The X-Files immediately established itself as something new and alternative in the television landscape of police procedurals, right from the off. As the episode progresses, these ideas of mystery and suspicion build, and the show establishes a central tenet that will drive The X-Files until the end: trust no one.
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Pilot introduces countless avenues to demonstrate this tenet, from Division Chief Blevins (Charles Cioffi) asking Scully to debunk the X-Files right off the bat, to the local Oregon sheriff who’s about as shifty a bloke as you can imagine, to the Cigarette Smoking Man (William B Davis) who will loom large in the shadows for years to come as he works towards his own endgame.
However, for all the narrative tone-setting that The X-Files pilot admirably delivers, it also provides something far greater. For all of the government conspiracies, alien invasions, shape-shifters and super-soldiers, the core foundation that made The X-Files such a remarkable show was the chemistry of its central relationship.
More like this
It’s hard to put into words how good Duchovny and Anderson were together on-screen, whether they were butting heads over unexplained phenomena, defending one another from alien shape-shifters, or giving each other a once over to check for potential extra-terrestrial spots – there’s an almost static charge between the two of them that propels the show forward.
It's not uncommon for shows built on a core relationship to take time in getting to the point where that chemistry sings, and understandably so. That makes the relationship between Mulder and Scully in the pilot episode all the more remarkable.
From their first encounter in the depths of the J Edgar Hoover Building, where Mulder has been, in essence, banished for his work in the eponymous X-Files, you just knew this was an on-screen relationship that was destined to flourish.
Gillian Anderson as Dana Scully in The X-Files wearing a grey chequered jacket, looking concerned
Gillian Anderson as Dana Scully in The X-Files. Disney Plus
While the sceptic/believer dynamic would reach a breaking point later on in the series’s run, as Scully’s sceptism simply couldn’t be justified given all the things her character had seen and experienced up to that point (seriously, you’ve been abducted by aliens… a regenerating paramedic who eats cancer should seem perfectly normal by that point), it felt wonderfully fresh in the pilot.
Scully’s bright-eyed, science-first approach versus Mulder’s haunted past and fervent belief in the unexplained was appointment viewing, playing so well thanks to crackling chemistry between Duchovny and Anderson.
The X-Files was a rollercoaster of a television show, delivering some of the highest of highs while also serving its audience with some of the most abject episodes in small-screen history.
But the journey started in its pilot episode, an episode that made you want to believe in The X-Files, made you want to believe in Mulder and Scully’s long quest for the truth.
30 years on, the opening episode of the sci-fi cult classic remains television’s greatest ever pilot.
With all of that said, it’s hard to describe the pilot episode of The X-Files, titled Pilot (duh!), as anything other than a resounding success - and if we’re being honest, the best pilot in television history.
While this may seem like a grandiose claim, upon closer inspection it becomes hard to argue with.
For the uninitiated who need a refresher on the events of The X-Files pilot episode, it goes as follows: Dana Scully (Gillian Anderson) is assigned to work on the X-Files with Fox Mulder (David Duchovny), with the hope that her scientific background will debunk his work.
Their first case takes them to the forests of Oregon where they investigate a series of deaths in a community, which Mulder suspects are centred around extra-terrestrial interference.
If we start with the overall premise itself, the pilot episode of The X-Files provides the skeleton for the following 11 seasons and 217 episodes. There’s a pervasive sense of mystery, suspense and, dare I say, horror, from the very first scene of a teenage girl running through the woods of Oregon before a bright light from the sky engulfs her.
The X-Files immediately established itself as something new and alternative in the television landscape of police procedurals, right from the off. As the episode progresses, these ideas of mystery and suspicion build, and the show establishes a central tenet that will drive The X-Files until the end: trust no one.
Get sci-fi news direct to your inbox
The best sci-fi news and features this side of the Outer Rim.
Email address
Email address
By entering your details, you are agreeing to our terms and conditions and privacy policy. You can unsubscribe at any time.
Pilot introduces countless avenues to demonstrate this tenet, from Division Chief Blevins (Charles Cioffi) asking Scully to debunk the X-Files right off the bat, to the local Oregon sheriff who’s about as shifty a bloke as you can imagine, to the Cigarette Smoking Man (William B Davis) who will loom large in the shadows for years to come as he works towards his own endgame.
However, for all the narrative tone-setting that The X-Files pilot admirably delivers, it also provides something far greater. For all of the government conspiracies, alien invasions, shape-shifters and super-soldiers, the core foundation that made The X-Files such a remarkable show was the chemistry of its central relationship.
More like this
It’s hard to put into words how good Duchovny and Anderson were together on-screen, whether they were butting heads over unexplained phenomena, defending one another from alien shape-shifters, or giving each other a once over to check for potential extra-terrestrial spots – there’s an almost static charge between the two of them that propels the show forward.
It's not uncommon for shows built on a core relationship to take time in getting to the point where that chemistry sings, and understandably so. That makes the relationship between Mulder and Scully in the pilot episode all the more remarkable.
From their first encounter in the depths of the J Edgar Hoover Building, where Mulder has been, in essence, banished for his work in the eponymous X-Files, you just knew this was an on-screen relationship that was destined to flourish.
Gillian Anderson as Dana Scully in The X-Files wearing a grey chequered jacket, looking concerned
Gillian Anderson as Dana Scully in The X-Files. Disney Plus
While the sceptic/believer dynamic would reach a breaking point later on in the series’s run, as Scully’s sceptism simply couldn’t be justified given all the things her character had seen and experienced up to that point (seriously, you’ve been abducted by aliens… a regenerating paramedic who eats cancer should seem perfectly normal by that point), it felt wonderfully fresh in the pilot.
Scully’s bright-eyed, science-first approach versus Mulder’s haunted past and fervent belief in the unexplained was appointment viewing, playing so well thanks to crackling chemistry between Duchovny and Anderson.
The X-Files was a rollercoaster of a television show, delivering some of the highest of highs while also serving its audience with some of the most abject episodes in small-screen history.
But the journey started in its pilot episode, an episode that made you want to believe in The X-Files, made you want to believe in Mulder and Scully’s long quest for the truth.
WATCH THE VERY FIRST DAVID AND GILLIAN INTERVIEW FOR THE X FILES FROM AUGUST 1993
